We Must Separate Art from the Artist

Connor Rose, Staff Writer

There must be a separation of art from the artist, especially given the current era we live in. If we want to maintain diversity of film and appreciate the artistic passion and creativity of individuals for the sake of the product, we must employ separation. 

The world of literature, especially within the critical community, uses the practice of separation, looking at the work on its own rather than in conjunction with the creator’s history. The divorce of artist and finished work is ideal, but difficult to do. The passion felt for a work can be tainted by the discovery of the artists vices and wrong-doings, but separation must be necessary to maintain a non-biased review and avoid skewed criticism of a work.

Talking about the separation of art from the artist is difficult. It feels like walking on thin ice due to the severity of some artists’ actions and the backlash people receive from supposedly “endorsing” their behavior.

The appreciation for a piece of art should not indicate or imply the endorsement of the morality and actions of the artist.  People are allowed to appreciate the performances of talented individuals yet condone their personal choices, such as Kevin Spacey, Woody Allen, or R. Kelly.

This in no way means we should put them on a pedestal for their achievements, but to throw out an entire work for the sake of the involvement of one person is unfair to the thousands of others who work on projects such as music or film.

Using the context of an artist’s contribution to their work is possible, but skewed in today’s environment where works involve more than one individual. Like we saw at the Academy Awards, a film like “Bohemian Rhapsody”, which consisted of thousands of filmmaker’s time and effort, should not be abandoned and chastised by the actions of one filmmaker. Keep in mind, the director sexually abused more than 4 underage men. Should the work of Rami Malek and the thousands employed by that film be looked down upon for the influence and direction of a man who has done a horrible thing? No.

Or the winner of this year’s Academy Awards’ Best Picture, “Green Book”. Should the critical praise it received for its screenplay be diminished by the screenwriter’s history with the resurfacing of an anti-Muslim retweet? No. He has since apologized for his insensitivity and expressed regret, but the backlash still remains. I do not believe the entirety of a film should be panned for the works of one, especially if they feel regret for their actions.

It is understandable and natural for people to have an emotional response to the discovery of the vices of an artist, especially one they previously praised. Someone beyond artistically talented like Walt Disney and Jack London have made significant impacts on the film community. Ezra Pound, credited with writing some of the greatest poems of all time, was a known fascist and anti-Semite.

That is why we must separate the artist from the art. If we continue to dig up the crimes and vices of artists and use that in our judgement of art, we are openly evading satisfaction and pleasure from artistic expression. For the sake of enjoyment and unbiased critique, it is not only necessary but imperative we establish this division.